Fascinating courtly intrigue and bloody power games set on a generation ship full of secrets―Medusa Uploaded is an imaginative, intense mystery about family dramas and ancient technologies whose influence reverberates across the stars. Disturbing, exciting, and frankly kind of mind-blowing.” ―Annalee Newitz, author of Autonomous

Monday, July 22, 2024

Michael's Chronicles: Fast Eddie


I haven't had much time to do blog writing these days, as anyone who wanders onto this page will quickly notice. My brother Michael is a heck of a lot more prolific with the writing these days than I am. He travels all over the country selling hardwood drums and playable furniture at high-end art fairs. He's got stuff to talk about, so he's up and I'm not. Maybe that's for the best? Anyway, here's the newest from Michael Thiele, Hardwood Music craftsman. 


Summer, 1970
Fast Eddie

I’ve lived my life largely with cats. I’m not bad at identifying dogs. Put one next to a known object - say, a chrome toaster - and I’ll identify the dog thing right away. I’ve owned a lot of toasters. Don’t get me wrong…..I’ve got nothing against dogs. I just can’t figure them out. It’s mostly the drama queen and strange proclivities thing. The only units I can compare them to are cats - the only items I know well.

A couple of examples come to mind. I can’t think of the last time I saw a cat walk by a dog box, look in and proclaim, “Wow! Tootsie Rolls!” then proceed to eat one, lick his chops and say, “Are there any more?” I’ve seen dogs consume the dumpings of numerous different animals such as cats, cattle, sheep, rabbits and others. I’m no nutritionist, but……….. Not to judge diets, but I’ve noticed cats to be a bit more selective.

Let’s discuss independence for a moment. If you tell your dog you have to go away for a couple of hours it fucks his mind up pretty bad. Drama Queen sets in. You are grilled: “Who’s gonna feed me? Who’s gonna walk me? Who’s gonna pet me?” Stuff like that, know what I mean? I regard these questions as indicators of H.M.S. (High Maintenance Syndrome).

On the other hand, if you tell your cat you’re going away for, say, two weeks he may lean up on one elbow from his prone position and say, “Dude…..you might want to leave plenty of food and water (or maybe leave the toilet lid open). If you don’t take care of business, when you get back you may find dead rats or birds, lizards or insects on the floor - shit like that. Your choice, man. I don’t really care. Have yourself a good time.”

Yeah, I know the cat will piss on the sofa. But then the dog will come along and tear off the cover trying to get to the smelly stuffing. This is, in the end, why both animals exist. Human patience needs testing.


So it’s the summer of 1970. I and my wife of six months are living in northwest Phoenix. 2218 W. Morton Street to be precise. We’re both students commuting across the valley daily to Arizona State. It’s the first house we’ve rented. Troy and Sue Turner own the place. Nice folks those two. Live and let live types. The rent is $185 a month. I am a graduate teaching assistant in the Sociology program whose contract spans only nine months (the two semesters) so I must find summer work to pay the bills during the break.

A friend of my wife has given her some sort of rat-ass little terrier - the wire haired pointy nose type who spends most of his waking hours standing his ground with bared teeth. He’s selectively yap-adelic. Parks himself on my side of the bed at night so that when I hop in after late night studies he growls and pretends to be defending my young wife’s virtue or something of the sort. I routinely launch him off the bed and curse at him.

I mentioned summer employment. At this time, I have taken a job selling Rainbow Vacuum Cleaners. Yeah that’s right. Dirt suckers. Much of my time is spent at the warehouse down on McDowell Road and about 7th Street listening to pep talks and sales tips from some guy who’s done it for a while, runs the warehouse and passes out leads. I know early on I’m not going to last long as a salesman. I manage to sell one to my mother in law and another to a large lady with her left breast in a sling from having had some recent operation. I knew this to be true because when I was in the middle of my sales pitch she had blurted out, “You ever see a titty in a sling?” This is not fiction. The conversation invades my memory from time to time at random moments. I would prefer it didn’t. They were the only two units I ever sold.

The warehouse wasn’t large and was filled with lots of boxes containing these water filter based vacuums. During the pep talks we often saw a small butterscotch flavored cat with a ringed tail darting around between the boxes. A head here, a tail there…..he never sat where we could see him, nor did he walk. He only ran. The sales manager hated him and sometimes chased him while trying to whack him with a broom. We, the sales force of four, nicknamed the cat “Fast Eddie.” The fact that we liked the cat enough to name him actually pissed off our boss. None of us was a particularly good salesman, which didn’t help matters.

One morning the manager told us he was going to trap the cat and kill it. Being a cat guy this obviously did not sit well with me. I took it up with him. I tried the old “live and let live” argument out on him but that only seemed to stoke his murderous resolve. To make matters worse one of the other guys started referring to him as “The Great White Hunter.” Bad idea. Worse than bad. I made one last plea, telling him that I would catch the cat and take him home. He gave me until the end of the day.

The first time the rat terrier met Fast Eddie it didn’t go well for him. His initial attempt at intimidation - the old charge and growl technique - got him a clawed nose and an irreparably damaged ego. A new sheriff had arrived unannounced and sent a message: “You suck, rodent. Maybe you should hide.” He rather quickly located a place where even his shadow could not find him. Walter Mitty would have been proud.

The rooms at 2218 were small and the central hallway narrow. I, who have a truly un-noteworthy wing span, could actually touch both walls with my arms raised and my elbows outstretched. Troy had built the place with his own hands. I never could bring myself to ask him about the hallway thing. Maybe in some past life I was a laundry chute inspector. Maybe not. That hall turned out to be Eddie’s racetrack. Sitting in the little living room one would hear a familiar sound and then look up to spot the last of his tail disappearing in one or the other direction past the opening into the hallway at one end of the living room. He simply ran everywhere. Perhaps he reckoned the Devil was after him. I never queried him about his religious views. How does one talk to a passing car?

My morning routine was to head down the hall to the little kitchen at the far (does that adjective actually apply here?) end of the hall for who knows what reason. I am not a breakfast eater. Never have been. It was the one instance when Fast Eddie would slow down. He didn’t eat on the run. He would, however, dash by me from wherever he had been hanging out and pace rapidly around the kitchen Jonesing to be fed. It was about the only time he was vocal. He let one know in no uncertain terms why one was in the room.

The one time I varied from my morning routine and detoured along the way he actually returned from the kitchen, agitated, and literally clamped onto the back of my right calf. His training technique was effective. We never needed to have that conversation again. I’m a quick study as they say.

An indoor/outdoor cat, he must have been a good hunter if only because of his speed although he never brought any of his trophies into the house. Good strategy. A human female lived there. Those items are well known to be intolerant of such behaviors. Best not to cross them.

We had Fast Eddie for only a few months before the bad news struck. He was often waiting on the porch when I returned from school each day. On the day of his demise, he was not there. A neighbor who I recognized but had never met crossed the street and approached me. He asked, “Did you have a little yellow cat living with you?” The past tense in the question was both ominous and unwelcome. I answered simply, “Yes.”

“Well, I’m afraid he was run over by the garbage truck today. Saw it with my own eyes. He’s up on that lawn over there. I pulled him off the street. I’m afraid he’s pretty flat. Those trucks are heavy.” 

I digested his words. Comical, in a way, but hurtful. Fast Eddie was now Flat Eddie. The little friend who you barely caught a glimpse of running around the house wasn’t quick enough to outrun a garbage truck. Ironic.

I’ve never buried a pet. Not my thing. Gone is gone. Memories are good enough for me. I put his little ruined body in a plastic bag, pulled the draw strings tight and tossed him in - well - a big trash can. Seemed only fitting. It’s been over a half century since that fateful day. I didn’t need a gravesite. His squirrelly little memory lives on. Fast Eddie wasn’t so fast after all.

 


Saturday, July 20, 2024

Michael's Chronicles: The Cliffs


I haven't had much time to do blog writing these days, as anyone who wanders onto this page will quickly notice. My brother Michael is a heck of a lot more prolific with the writing these days than I am. He travels all over the country selling hardwood drums and playable furniture at high-end art fairs. He's got stuff to talk about, so he's up and I'm not. Maybe that's for the best? Anyway, here's the newest from Michael Thiele, Hardwood Music craftsman. 


July 16
The Cliffs

I was out north of Marble Canyon today driving along the Vermillion Cliffs on my way toward Jacob Lake and beyond. The crosswind was blowing like hell. Let me address that one. I don’t know, factually, if Hell blows at all. I must admit I’m not even sold on the very concept of Hell and none of the assessments I’ve heard of from fire and brimstone enthusiasts have mentioned weather. Perhaps I haven’t been the best listener in those times at which the onset of that narrative has caused me to roll my eyes. But the words add flesh and inflection to the story, so I’ll let them stand. 

There were large rolling boxes with names like “Pathfinder,” “Wilderness” and “Forest River” going by in the opposite direction and visibly rocking and swaying to and fro in the wind. I’m grateful that I was not the driver of any of them and equally grateful that none of them lost it, came into my lane and altered the trajectory of my day or perhaps redefined my destiny. I can just see my gravestone: “Here lies Michael. Flattened by a rolling box. He was a nice guy” But alas, none of those RV things hit me so here I am, writing about what could have been but fortunately (in my view) was not.

I have more important memories of those red cliffs, which is why I chose that route to begin with. And no, I wasn’t even supposed to be here. Just returned from a two week show tour to Colorado to find out that I needed to head up to Salt Lake City- same day - to examine and perhaps purchase tone wood for our instruments. Three hour turn around. Decided to drive along the Cliffs.

During the early 1970’s I had learned an important lesson about the nature of silence: absolute silence, particularly that which occurs in natural environments can be deafening. Loud. I also find it quite grounding and for me, the experience can be emotional. I first heard it at Scarface, a rocky foothill area to the east of Mesa, Arizona. A friend with whom I was working, Chris, had taken me up there in his jeep.


We’d sit on the front edge of the escarpment, legs dangling over, blowing a doobie and looking out over the vast Valley of the Sun all the way to the White Tanks. We’d listen to the quiet. It’s one of the few times in my life when I sat next to someone else for extended periods of time during which no one said a word. There is a rush to that kind of silence and the only way to experience it is to sit still and wait for it to come calling. 

For sure, being stoned was an enabler but nothing more. I haven’t smoked the Yerba Buena for some fifty years, now, but the beauty and poignance of dead quiet has remained a friend. I experienced it on a different occasion years later when I broke down along 89A in the Vermillion Cliffs area. I hiked back aways into a little slot canyon away from the highway to cool off in the shade and stumbled into one of those dead pockets. Probably stayed there for a half hour, ingesting it all.

Such places seem to be few and far between. Maybe that’s as it should be. Then it was quiet. Today it was wind and dust. It’s a big tent, this earth thing. Glad I have ears. Glad I learned to listen.

Later

 

  

Tuesday, July 16, 2024

Michael Levy: The Lyre of Hermes


I've spent a lot of time lately posting the musings of my brother, Michael Thiele, I've neglected the doings of Michael Levy, promoter of ancient music and virtuoso of the ancient lyre. Here is a recent announcement from Michael Levy:


New album out:

https://open.spotify.com/album/75Cg2jZCI0iCM7AseeHx1B?si=r3ujnd4bSr2K36HA7sHKxA

Originally released as a short EP length album in 2015, in August 2023, I decided to re-record in higher quality, extended length arrangements of all of the original tracks & 4 new additional tracks for this full LP album length re-release. 

 

As well as Spotify, the album can also be streamed on Apple Music, iTunes, Amazon & a host of other major digital music platforms. 

Studio quality audio, complete with a PDF booklet of the detailed album notes is available from Bandcamp:

https://michaellevy.bandcamp.com/album/the-lyre-of-hermes

  

Michael Levy: Amen Dunes


I've spent a lot of time lately posting the musings of my brother, Michael Thiele, I've neglected the doings of Michael Levy, promoter of ancient music and virtuoso of the ancient lyre. Here is a recent announcement from Michael Levy:

I am really excited to announce that Damon McMahon of Amen Dunes, is featuring my lyre music in his new album! 

Amen Dunes is the musical project formed by American singer-songwriter and musician Damon McMahon in 2006. 


A new recording of my original viral YouTube arrangement for solo lyre of the Bronze Age Hurrian Hymn Text H6 (circa 1,400 BCE - the oldest notated melody in history!) will feature in a track in the new album "Death Jokes" by Amen Dunes - out on 10th May!! 


I was contacted by Damon McMahon's record company back in 2022 - who requested a bespoke re-recording, as near as possible to the audio from my original, 'live from my spare room' (10,000,000 plus views!) version of my 2008 YouTube arrangement of the 3,400 year old Hurrian Hymn.

The dreamy mood Damon McMahon manages to conjure with his music serendipitously matches my own solo lyre recording projects - never having even heard of Amen Dunes here in the UK, I have since fallen in love with the wonderfully experimental, fuzzy textures he uses as a the background layers to his songs, many of which all feature beautifully elegant melodic lines & many of which are also modal in character.

As far I so far know, the clip of my lyre music will come at the tail end or last song of this album of original songs by Damon McMahon, who releases contemporary music under Amen Dunes. No matter how brief the loop of my lyre music in whatever specific track it eventually features on Damon's new album, this amazing cross-over of musical genres the first real small step I have come in attaining my dream, of making the lyre 'mainstream'!


Michael Levy: Musica Lyra


I've spent a lot of time lately posting the musings of my brother, Michael Thiele, I've neglected the doings of Michael Levy, promoter of ancient music and virtuoso of the ancient lyre. Here is a recent announcement from Michael Levy:

Now available from all major digital music platforms, I am delighted to announce the release on all the usual digital music platforms today of my antidote to the chaos of the modern world. “Música Lyra" - an ancient Roman-themed album inspired by themes from stoic philosophy. Here is Spotify album link:

https://spotify.link/djKwY2RXTBb

The album explores through music, the turbulent emotions of unresolved desires, grief, regrets, longings & sorrows which can cloud the positivity of life, which though endurance of the human spirit & the focus of stoic meditation, can be overcome, until the ultimate stoic ideal of “Amor Fati” - developing a love of fate, no matter what obstacles we may encounter during the brief enigma of our conscious experience of life.

As I have no record company, I literally solely rely on the support of my much valued listeners in order to ‘get my music out there’ to new sets of potentially receptive  ears - if any of you are able to kindly share news of the album's release across social media & include tracks in new Spotify playlists & post album reviews on platforms such as iTunes or Amazon, this would be greatly appreciated.

As a taster of the album, please find attached track 2, ‘Pluviam Frigus (Cold Rain)' - enjoy!

 

Monday, July 15, 2024

Michael's Chronicles: Silverthorne


I haven't had much time to do blog writing these days, as anyone who wanders onto this page will quickly notice. My brother Michael is a heck of a lot more prolific with the writing these days than I am. He travels all over the country selling hardwood drums and playable furniture at high-end art fairs. He's got stuff to talk about, so he's up and I'm not. Maybe that's for the best? Anyway, here's the newest from Michael Thiele, Hardwood Music craftsman. 


Sunday, July 14
Silverthorne

This morning I sauntered into a bagel shop with onyx counters. Onyx! I wondered what the bagel was going to set me back. I looked at the counter, glasslike and hard. Two centimeters (3/4” or so), not three - not the thick stuff. I rapped my knuckle on it to see if it rang. It did. Something in me flipped. I was holding my ceramic coffee cup from the Museum of the American Arts And Crafts Movement, which I visited this winter in St Petersburg, Florida. Don’t ask why but I suddenly wondered if I could set the cup on this counter so gently that it would make no audible sound. I tried.

My first and second and third attempts failed in different degrees. I stood back and thought about it. Seemed like I needed to make perfect slow motion contact to pull it off. I had already established two rules: No part of my hand could come into contact with the counter first, thus deadening the sound. Also, I couldn’t touch just the edge of the cup first and then lay the rest of it down. Same deal - deadens the sound. Some random lady was walking in the door in that moment. She apparently spotted me, now stooping down to see the contact points at eye level.

None of this was any of her business, of course, but she walked over and engaged.

“What are you doing.” Her words actually stunned my private moment. I hesitated, rising from my task.

“Who wants to know?” I couldn’t think of anything else to say. She laughed.

“It’s just that that’s such a strange thing to see.” 

“Are you here for a bagel?” Thought I could change the focus.

“I am. Just tell me what you’re up to.” I told her. She gave me the strangest look apparently trying to put some version of two and two together then shook her head slightly, side to side, and walked off. Not another word. No, “thanks for the heads up.” Thankfully.

Are no moments private anymore?


Later…..

 

 

Friday, July 12, 2024

Michael's Chronicles: Grand junction, Just Now


I haven't had much time to do blog writing these days, as anyone who wanders onto this page will quickly notice. My brother Michael is a heck of a lot more prolific with the writing these days than I am. He travels all over the country selling hardwood drums and playable furniture at high-end art fairs. He's got stuff to talk about, so he's up and I'm not. Maybe that's for the best? Anyway, here's the newest from Michael Thiele, Hardwood Music craftsman.


July 10 
Grand Junction
Just now……..

She has an anteater’s snout. I haven’t spotted her tongue. Don’t want to. I am behind her at the gas pumps at Sam’s Club. Waiting. And, obviously, watching. How could I not, I ask. That nose may be blocking something I need to see. I’ll never know. It is not one fashioned by Geppetto and she is no marionette. Seems to be singing to herself. Must, I think, be nice. The nose is much more Cyrrano-esque, from the original drawing, but sans the bump and downturn mid-schnozz. 

I’m not making fun of this lady, trust me. I’ve just never seen a nose like that on a human. Seen some odd ones for sure. I used to bowl with a guy who had cauliflower nose - lumpy as hell and red and large. Fit his head well. Large and blocky itself and topped off with marine-cut red hair. I have no idea if he’s still among the living. He was a serious drinker. Not beer. Hard stuff. 

Another friend, an Italian named Sal, was cultivating a rainforest of boar bristle in his nostrils and was having to constantly clip it. Rubbed it frequently for some reason. Super nice guy. Maybe the thing just tickled or itched all the time. Didn’t feel bad for him, though. He was far more the ladies’ man than I. Maybe he was snorting lines of freeze dried Rogaine. Whatever………

So this lady in front of me at the pumps………..nice lips but I can’t see how one would go about kissing them without suffering an eye bruise. Perpendicular, I guess, but that just seems weird. See how this is affecting me? Why the hell do I care about these things? There are eight islands at this station. Eight. The odds that I’d even be having this conversation with myself are only 12 1/2 percent. Think I’ll just pretend I was in a different line.

Later

Tuesday, July 9, 2024

Michael's Chronicles: Grand Junction Food Poisoning



I haven't had much time to do blog writing these days, as anyone who wanders onto this page will quickly notice. My brother Michael is a heck of a lot more prolific with the writing these days than I am. He travels all over the country selling hardwood drums and playable furniture at high-end art fairs. He's got stuff to talk about, so he's up and I'm not. Maybe that's for the best? Anyway, here's the newest from Michael Thiele, Hardwood Music craftsman.


July 9
Grand Junction
Food Poisoning


I am perplexed
Who got to my chicken
And made it suck?
Who got to my belly
And turned it to funk?

Minding my own business
Like I always do
Taking a little break between shows
Shining up my sneakers
For the upcoming event

The chicken salad looked good
Just sitting there and calling my name
“Psst,” it said. Hey you……
Come over here and bite me”
Shoulda known better
Who talks like that?

Puke sucks
Especially on a Monday
Most other days too
And why do they call it “The Runs.”
We all know what it is

So I’m looking for the witch doctor
The guy with the voodoo pins
Who stuck em in my salad doll
And turned my evening all fowl
He better watch out

I’m not vindictive
I don’t get mad and I don’t get even
But true as hell
Like an oil soaked two by four
Guaranteed not to bend, crack
Peel, splinter or warp
I will balance this, trust me
Someone will pay

Better today……