Monday, December 24, 2012
The Hidden Fortress
Recently
my husband and I were able to watch Akira
Kurosawa's The Hidden Fortress during one of Hulu's “free” nights, and I found myself once again
entranced by this delightful tale.
I've
seen it perhaps 5 times in my life. The first time was in a revival
theater, the Valley Art. I was around 19 years old, and the other
people in the audience were mostly college students. As much as I
liked seeing it on my 28-inch screen at home, it's a powerful
experience on the big screen – so much so that, although the movie
was filmed in black & white, I remember parts of it in color.
Most of it was filmed at real, outdoor locations, but I suspect parts
were filmed in a studio, on lovingly detailed sets. Cecil B.
DeMille's got nothing on Kurosawa when it comes to gorgeous
spectacle. Another thing that impresses me is the number of extras
in the movie. It doesn't boast “a cast of thousands," but there are
sometimes a few hundred people on the screen, yet the main characters
never get lost in all that action.
The
big star in the film is Toshiro Mifune, who plays the stoic samurai
character, General Rokurota Makabe, with aplomb. When he wears a
mustache and beard, he looks just like the paintings of samurai on
silk screens, or like the masks in Japanese theater. He's wonderful,
but he's made more so by the character who steals the movie: Princess
Yuki. She is the reason I keep wanting to see this movie. She is
extraordinarily beautiful, as you pretty much expect a princess to
be, but it's actually her imperious-yet-socially-awkward personality
that steals my heart. She is the only child of Lord Akizuki, and the
sole survivor from an old and noble family. Because she had no
brother, her father raised her to lead the clan. She is fearless and
utterly imperial, well-trained in the art of giving orders that must
be obeyed. These are traits that inspire devotion and unquestioning
loyalty in the handful of servants that survived the massacre of her kin. She accepts this loyalty. But she is compassionate too – a
trait she must wrestle with if she wants to re-establish her clan.
You
might think Yuki and Rokurota are the glue that hold this movie
together, but that distinction goes to a couple of viewpoint
characters, the comical (but not always likeable) Tahei and
Matashichi, a couple of peasants who went to war in order to get
rich. This is not a scheme that works out for them, and things go
from bad to worse in the first five minutes of the film. From that
point forward, these two knuckleheads fall into one disaster after
another. Their own greed and moral ambiguities drive them to keep
making mistakes, but those are the traits Rokurota finds the most
useful as he tricks them into helping him and Yuki move the gold that
belongs to the shattered Clan Akizuki to safety.
Along
the way, Yuki insists on rescuing a slave girl, an act of compassion
that seems too soft-hearted at first, until this same girl manages to
save the day several times. Can this band of misfits get the gold
to safety so Yuki can rebuild her clan? The odds are stacked against
them, but they still have some tricks up their sleeves.
Each
time I watch this movie, I notice something different. This time it
was the fact that the hidden fortress sits in the middle of an odd
and other-worldly deposit of what appears to be volcanic tuff. I
can't help wondering if this site survives intact in modern Japan. I
hope it does. It was part of the magic of this movie, one detail in
a long list of wondrous sights and sounds.
I
love The Hidden Fortress.
Princess Yuki has won my devotion, too.
Tuesday, December 11, 2012
Help The Artists You Love -- Give Them Good Reviews!
Here's
another link for a wonderful sample from Michael Levy. He makes an
excellent point in his announcement – good ratings and positive
reviews are essential for artists, musicians, and writers these
days. Don't feel that you have to wax poetic, just a few heartfelt
sentences will do the job (along with lots of stars).
The Podcast History of the World - The Ancient Hebrews
I am pleased to announce that a selection of my music from my Biblical lyre-themed albums is to feature in Rob Monaco's free iTunes "Podcast History of the World" series on the ancient Hebrews! Here is a link to hear the first episode of this fascinating historical series:
I am delighted at the recent unique opportunities I have been involved with, in my efforts to get my music "out there", to the rest of the unsuspecting world!
If any of you lovely subscribers to my mailing lists ever do decide to purchase any track from any of my albums on a major digital store such as iTunes, Amazon or CD Baby, do please, please also spare a few moments to rate/review the album from which the track comes from - as an unsigned artist, my precious little collection of album reviews are so far the best means of getting my "Musical Adventures in Time Travel" actually noticed & used in fabulous new opportunitues such as this one!
Thanks agin, for all your support, in my relentelss quest, to attempt to recreate the lost music of the ancient world...
Friday, December 7, 2012
Wayne Ranney: Geologist, Adventurer, and Mapmaster Flash
You
may recall that I mentioned, sometime in the recent past, the
paleogeographic maps are fabulous. Or you may not. But they are.
And what's even more wonderful is that Wayne Ranney, one of the guys
behind those afore-mentioned fabulous maps will be speaking at the
Heard Museum on Tuesday, December 11, at 1:30 p.m. To 3:00 p.m.
He'll be signing copies of his books in our book store afterward.
I've posted a review of the book he co-wrote with Ron Blakey, Ancient Landscapes of the Colorado Plateau,
which features maps that depict what the Colorado Plateau may have
looked like millions and even billions of years ago.
I will soon be
posting a review of Carving Grand Canyon: Evidence, Theories, and Mystery (2nd Edition) which casts light on past and recent arguments about when the Grand
Canyon began to form.
And I look forward to diving into Sedona
Through Time, which delves into
the formation of one of the most beautiful places on Earth: Oak Creek
Canyon.
We have all three titles available at the Heard Museum Book
Store, and Mr. Ranney will be signing there after his lecture. Don't
miss it!
Thursday, December 6, 2012
Those Darned Visigoths
Michael
Levy's video clip on BBC didn't go quite as planned, though he did
get some background music in (apparently while someone is holding
forth about Visigoths). But fear not, you can see the entire clip.
Just follow the link Michael sent along. Here's what Michael has to say about the experience:
I might not have had my tantalizingly close live TV performance moment yet, but in the meantime, here is a free download link to the actual HD video file of the bonus out-take of my lyre & I from the music shoot for the BBC 4 documentary series "The Dark Ages An Age of Light" - the clip that the editor decided to leave out of the actual documentary in favour of a relatively rubbish 43 second clip of barely noticeable background music (during incessant waffling monologue about the Goths & Visigoths etc, towards the end of epsiode 2!!):
http://www.mediafire.com/?
I will also be sending the link to everyone subscribed to my website mailing list. If you are able to "spread the word" about this free video download link, this would be greatlly apreciated - so that some day, somehow, my retro lyre & I will transform the miserable modern world into a whole new dimension of meaningful mellowness...BRING IT ON!!! ;o)
Friday, November 30, 2012
The Dark Ages: An Age Of Light
Mistake in the date of my first televised BBC performance!
[Michael Levy offers this slight correction]
Further to my last email campaigin about my first ever televised performance with my lyre on the new BBC4 series, The Dark Ages An Age of Light...
As the first episde was all about the end of the Roman Empire; after receiving a reminder email from the producer about the date of the broadcast of the first episode of the 4-part series, I had assumed that this would be the episode to feature my attempt to recreate the lost music of ancient Rome - after sending out email campaigns to everyone on my mailing lists, over 1000 friends on Facebook (& every family member I could conceive of!), I did not appear in the first episode!!!
I now have the correct details of my first ever live televised BBC performance, direct from the producer herself - my lyre & I will be appearing in Episode 2 of "The Dark Ages An Age of Light" - first broadcast on Tuesday 4th December, 9pm GMT on BBC 4 & a few days later, all around the world on BBC iPlayer.
Just to confirm, direct from the producer, I will be appearing in episode 2 of "The Dark Ages An Age of Light", entitled "What the Barbarians Did for Us":
http://www.bbc.co.uk/ programmes/b01p65b9
Here is a link to one of the outtakes of the film shoot:
http://www.youtube.com/watch? v=oa4BprGK9ck
They probably won't be using this out take in the series (there is a bit of aircraft noise towards the end of the video, which can be deteced if you listen with headphones!)
NB! More news - tracks from my albums "King David's Lyre; Eches of Ancient Israel", "Lyre of the Levites" & "The Ancient Biblical Lyre" are to feature in the iTunes Podcast show "The Podcast History of Our World" by Rob Monaco within the next few weeks! The free podcast series to use my music, will feature new episodes detailing the history of the
Hebrews/Israelites.
https://itunes.apple.com/us/ podcast/podcast-history-our- world/id558333993
Just to confirm, direct from the producer, I will be appearing in episode 2 of "The Dark Ages An Age of Light", entitled "What the Barbarians Did for Us":
http://www.bbc.co.uk/
Here is a link to one of the outtakes of the film shoot:
http://www.youtube.com/watch?
They probably won't be using this out take in the series (there is a bit of aircraft noise towards the end of the video, which can be deteced if you listen with headphones!)
NB! More news - tracks from my albums "King David's Lyre; Eches of Ancient Israel", "Lyre of the Levites" & "The Ancient Biblical Lyre" are to feature in the iTunes Podcast show "The Podcast History of Our World" by Rob Monaco within the next few weeks! The free podcast series to use my music, will feature new episodes detailing the history of the
Hebrews/Israelites.
https://itunes.apple.com/us/
Thank you for your patience, everyone - the best things in life are worth waiting for...
Thursday, November 15, 2012
Michael Levy Strikes Again!
My last several posts have been about Michael Levy, because many exciting things seems to be happening for him at once. He is a master of the Lyre, with an emphasis on ancient music. My first introduction to this sort of music was the beautiful album, Harps Of The Ancient Temples, and I remain fascinated with it. So here's another happy announcement from Michael. Check out his website! Buy his music! Wallow in wonderfulness!
My First Televised, Live Performance on BBC4!
Hi Eveyone! I am pleased to announce, that the first episode of Waldemar Januszczak's epic 4-part documentary series, "The Dark Ages An Age of Light"(which features my LIVE, TELEVISED, LYRE MUSIC, in my attempt to evoke the lost music of ancient Rome!) will be broadcast on BBC4 on Tuesday 27th of November at 9pm.
The remaining 3 episodes will follow every Tuesday until the 18th of December - there may also be a bit of my lyre music featured as background music during the series, which I submitted to the producer!
A week after the broadcasts here in the UK, the series can also be viewed all around the world on BBC iPlayer
Below is some unique bonus footage, kindly provided to me by the editor of the series of one of my performances, in which I attempt to evoke the sound of the lost music of ancient Rome:
The track I am playing in the video is "Ancient Visions" from my recently released album "Ancient Vibrations" - filmed here, in the incredibly evocative replica Iron Age Earth House, at the Cranborne Ancient Technology Centre in Dorset, UK.
I may have finally found some more much needed fame this year, in my efforts to recreate the music of the ancient world...let's hope my television debut will hopefully, someday, lead to the fortune! I thankfully feel I have come a long way, since my voyage in "Musical Time Travel" began, with my first crudely recorded "antique webcam" recordings on my Youtube Channel, back in August 2006!
Kind Regards,
Michael
Friday, November 9, 2012
More Breaking News For Michael Levy
More breaking news - I have my first televised performance coming up on
BBC4 on 27th November at 9pm (GMT) for a new documentary "The Dark Ages :
An Age of Light"! The series is also available to view, anywhere in the
world on BBC iPlayer. Here is the link to my bulletin with all the
details:
http://www.ancientlyre.com/
The editor of the series kindly provided me with some unique video outtake
footage of one of my performances...filmed in the amaing replica Iron Age
"Earth House" at the Cranborne Ancient Technology Centre:
http://www.youtube.com/watch?
I have my first ever radio interview coming up soon, for a local station
in Germany - I will let you know the link to hear the broadcast once I
have it!
Wednesday, November 7, 2012
A Well Tuned Lyre
Hi Everyone!
I am pleased to announce the release of my new album, "A Well Tuned Lyre - The Just Intonation of Antiquity" on iTunes & Amazon:
This album features new compositions for solo lyre, a heterophonic development of my earlier composition, "Apollo Lyre Lyre" & my new arrangements of 5 examples of the actual surviving music of ancient Greece, with my lyre tuned to the beautifully pure just intonation of antiquity...
To download a free PDF Booklet of the detailed album notes, please click on the link here
Please "spread the word"!
Kind Regards,
Michael Levy
Michael Levy Will Be Featured On BBC 4
My Lyre Music To Be Featured on BBC Radio 4!
I am pleased to announce that my music is to feature on BBC Radio 4!
My arrangements for Biblical lyre, of the Klezmer melodies "Sherele" & "Ale Brider" from my album "Lyre of the Levites", are to be used in a ten-part "Book at Bedtime" series – THE LIARS’ GOSPEL by Naomi Adlerman - set in Roman-occupied Judea. "Sherele" will be used at the beginning of each show & "Ale Brider" at the end...
The first of the 10-part BBC Radio 4 "Book at Bedtime" series to feature the music from my album "Lyre of the Levites", will be first broadcast on 12th November at 22.45. The series can later be heard anywhere in the world, a week after the radio broadcasts on BBC iPlayer!
The full details about his series can be seen in the link to the BBC Radio website here
Please "spread the word"!
Kind Regards,
Michael Levy
Thursday, November 1, 2012
Paleogeographic Maps Are Fabulous
Think
of the nerdiest comic book fan drooling over his favorite graphic
novel - that's how I look when I have this book in my hands. As a
geology student who lives in Arizona, I have good reason to be such a
geek. Every time I visit the Colorado Plateau, I have a thousand
questions about how the strata formed. This book answers most of
those questions, and illustrates those answers beautifully with
diagrams, cross-section charts, photographs, and "paleogeographic
maps." Those maps allow the reader to see what the area may have
looked like in the past, from the last part of the Precambrian Era,
1.7 billion years ago, through the Mesozoic with its dinosaurs, to
the the Cenozoic and our present epoch. If you've ever tried to
visualize the supercontinents, or what the Four Corners area may have
looked like when it was turned on its side and hugging the equator,
the paleogeographic maps are hugely helpful.
Readers
who are more interested in archaeology will gain some perspective as
to why the ruins in the Southwest are unique - we've got the perfect
strata for canyons, creeks, and cliff dwellings. And anyone who would
like more background on the geology of their favorite National Park
on the Colorado Plateau will find this book handy. As for me, I'm a
happy geek pouring over the details of how each layer was formed and
where it's exposed in this landscape I love so much. I will refer to
this book again again, until it falls apart and I have to get another
one. It's money well spent.
Wednesday, October 10, 2012
The View From The Dumpster May Be the Clearest
My
husband and I were watching one of our favorite movies the other
night, Rear Window, when one
of the characters made a really interesting remark. She was Stella,
the traveling nurse who pays regular therapeutic visits to “Jeff”
Jeffries for his broken leg. She told him that she had predicted the
stock market crash of 1929, and that it was easy to do so. But not
because she was an economic wiz. One of the Vice Presidents of GM
was a patient of hers, and he was having kidney trouble. “When
General Motors has to go to the bathroom 10 times a day,” she said,
“the whole country's ready to let go.”
Her
remark made me remember my experiences working for Borders Books & Music, at
a superstore in Phoenix. No one was running to the bathroom 10 times
a day (okay – sometimes I
was), but something else really revealing was going on. I did a lot
of work in the stock room, receiving, sorting, and stickering product
to be shelved. I also helped to throw away our gigantic pile of
trash every day. Eventually I realized that more paper was going
into that dumpster than was going out the front door as purchased
books.
This
was mind blowing. I tried to imagine businesses all over the
country, throwing away all that stuff. I think if all of us could
really see how much of it there is on a daily basis, we would decide
something had to be done about it. Why? Because that's energy we're
throwing away. That's cellulose, which could be converted back into
fuel, or fertilizer, or heat, and we're paying people to ship it
around the country and then throw it in dumpsters. In our case, it
was tons of cardboard: boxes and display materials. We re-used a small portion of those boxes to
ship returns to our distributor (more about that later), but most of
them went straight into the garbage. One of our line employees tried
to suggest that we could get paid for the cardboard by a recycler who
specialized in pick-ups from businesses. Our District Manager
dismissed his suggestion, and when he went over her head to suggest
it to the Regional Manager, he was warned that if he did that again
he'd be fired. Yes, it's not considered kosher to go over the head
of a superior. But our company used to have a system in place where
line employees could make suggestions to the Brass upstairs – but
they never accepted any of those suggestions, and eventually that
system went away.
Eventually
our company did, too.
Before
the crash, I watched an interesting progression take place. In the
early, halcyon days we got gigantic shipments of books, magazines,
movies, and music. We sold a lot of that stuff, but so much of it
was coming in, a lot of it never made it to the shelves. We didn't
have an efficient system for getting those books and CDs on carts and
then on the floor (let alone in the proper
alphabetical order in the right section). So when I trained as a
sales clerk, the rule was that if a customer came in looking for an
item, there were seven places you had to check before giving up and
admitting defeat (Can I order that for you, Ma'am?) – the sorting
bins were one of those places.
Returns
were also a challenge – we had a list of items we were supposed to
return every month. When we looked for that stuff, we often found it
in those bins. In the beginning, it was stuff that didn't sell very
well (sometimes because it never made it to the floor) and we
returned it so we could get stuff that did sell
well. By the end, we were using those returns to finance our new
stock purchases (instead of profit from sales). We would return
stuff one month, and order the same stuff for the next. It was
beyond bizarre.
What
it amounts to is that we used to sell more paper than we threw away.
We also used to sell more paper than what we shipped back to the
distributor. After 9/11/2001, the trend slowed, and then reversed.
But lest you think I'm blaming terrorists for the demise of Borders,
let me point out one other ugly trend, the one driven by customers:
returns at the register.
In
an ideal situation, customer returns are rare. You sell a good
product, they find it useful, they keep it. When I first began to
work at Borders, the return rate at the register was actually kind of
high already. A lot of it was driven by fraud (people would pull
items off the shelf and claim they were returning them so they could
use the credit to buy other items). Our return policy was
ridiculously lenient, and it didn't take long for termites to settle
in. But they weren't the only culprits, and in the end they weren't
even the majority of abusers. The majority were people engaged in
what I call Theft Of Services. These were folks who bought books,
read them, then returned them when they were finished. These folks
thought nothing was wrong with that, because the store could sell the
book, so where was the harm? The harm is that they returned the
physical book, but they stole the content. When the product is a
book, the physical copy is not the full extent of the product, it's
just the delivery system. The content is really the product. That's
why people can sell ebooks.
So
that's one of the major reasons that the ratio between the paper
going out the door as sold product and the paper being shipped back
or tossed into the dumpster got out of whack; paper started to come
back to us from another direction. Eventually, the number of people
coming to the register with returns went from 1 in 10 people to about
5 in 10.
By
that time, the economy had really tanked. A lot of folks were
returning those books because they couldn't pay their bills. But did
they do the honest thing and simply go to the library? Nope. And
because they didn't go to the library, they caused initial sales at our
stores to seem higher than they really were. Executives at our
company focused on those sales figures and mostly ignored return
rates.
These
same executives stepped up their merchandising campaigns. They paid Robert Sabuda, the wonderful designer of pop-up books, to design pop-up style
Christmas decorations for all the stores, paid to have them
constructed and shipped to the stores – then ordered us to throw
them all in the trash once the season was over. Chastened by
criticism from investors over this fiasco, they responded by paying
one of their colleagues in their own headquarters to design the
decorations for next year. His
designs were so creepy, we were actually grateful to throw them in
the dumpsters after Christmas.
You
might think some of that waste is necessary – after all, sometimes
you have to spend money to make money. That's what merchandising is,
and in stores you see it manifested as signs advertising the
products. Every month they sent us big packages of signage to put up
in the store. And it seemed like just about every other month
they e-mailed the managers and told them to throw out all that
signage instead of putting it up, because it was the wrong color.
That was about $60,000 that went into the trash for no good reason.
They could have just mailed us the money and told us to throw it
away.
So
to paraphrase Stella, if more paper is going into the dumpsters than
is being sold to customers, something's wrong. Most businesses
manage by numbers these days, but those numbers can be interpreted
different ways. They can be massaged. Our financial meltdowns in
1929 and 2008 prove that. So if you're thinking of investing in a
company that deals in physical products, you may want to check their
dumpsters. They may tell a tale that will make you change your mind.
Monday, October 1, 2012
The Great Wickenburg Escape
When
Ernie and I don't get to go out and hike on a regular basis, we get
kind of peaked. There is a world of wonder out there, and we're
stuck inside with our eyeballs glued to computer screens, typing our little hearts out and staring at facebook. In the best of all
possible worlds, this would not be the case. We would be traveling
around the Southwest, taking pictures, shooting amateur videos, and
writing about our travels. We would be living inside an Airstream trailer and posting regular reports on a blog about Weird and
Wonderful Travels On The Cheap. Some day, maybe this will come true.
But right now, it's all about the day job and the bills. So we try
to take day trips.
Ernie posted a report about our most recent trip to Wickenburg, The Hassayampa River Preserve, and the Vulture Mountains. He summed up the trip pretty well, so I will only add some photos with a bit of commentary.
The
visitor's center for Hassayampa River Preserve is a charming,
refurbished historic building that was a ranch and stage-coach stop
back in the day. Its courtyard was swarming with butterflies and
hummingbirds.
The
caterpillar-sized thingees in this web were wriggling, ever so
slowly.
One
of these days I'll create a site called Em's Happy Trails, and this
photo will be on it.
The
Hassayampa is an underground river – much of the time the water
stays underground. But in some places, it bubbles to the surface,
and in the preserve it forms a large pond (much loved by frogs,
birds, and bugs).
These
are raccoon prints.
These
are prints from the ring-tailed cat.
Datura
has a seriously cool seed pod.
This
wonderful spider actually constructed a pot-shaped house for herself,
then wove her web outward from the entrance. She let us know that
the only sort of visitors she likes are the edible kind.
This
is one of the few places in the basin-and-range provence of Arizona
where you will find a tree with fungus.
Remember
those recent pictures of Mars that proved water activity? This is
another example of that sort of -well, sorting. Rivers move rocks and
silt, and sort them by size. Fast-running water can move larger
stones; silt will be the last thing to settle out as the current
slows. A deposit of rocks that are more rounded and are about the
same size traveled a long distance from their source. Rocks that
have sharper edges and are a variety of sizes are still fairly close
to their source.
It
took me three tries to get this shot of a vermilion flycatcher – a
first for me.
I've
always wanted one of these Ocotillo fences.
Look,
we found Mecca! That's our truck parked out front.
When
we saw this guy from behind, I thought he was homeless.
A
Jack '0' Lantern saguaro near Vulture Mountains.
This
deposit of volcanic stuff is decaying into Tahiti beach sand.
Ocotillos are indicator plants -- evidence of underground water. They also like limestone (maybe because limestone tends to have damp, underground caves eaten into it).
This
guy lost most of his arms. He's got serious gnarlitude.
These
butterflies were imitating flowers.
By the way, you may be happy to know that apparently Doctor and Mrs. Doom have adopted a stretch of Highway 60. Just look for the sign as you drive along.
It
was a fabulous trip, but it made us long for more. So watch this
space . . .
Sunday, September 16, 2012
The Queen And The Falcon
Originally,
I was going to do this post about The Maltese Falcon,
which deserves a spot on anybody's Best Movies List. And for the
record, The Maltese Falcon
really is on my list. But since I'm limiting myself to ten (in no
particular order), I have to admit that I like Humphrey Bogart better
in The African Queen.
And it's not just because Charlie Allnut is a nicer guy. In a weird
sort of way, my choice between the two movies (and the two
characters) is like the difference between the dangerous kind of guy
and the good guy. You're attracted to the dangerous guy, but in the
end it's the good guy you end up marrying.
Both
movies have well-written stories and engaging plots. ButThe
African Queen has one other
bonus: Katherine Hepburn. While the Maltese Falcon is
about one guy, Sam Spade, and his search for the truth, The
African Queen is about two very
different people whose lives intertwine so successfully, they're able
to achieve the impossible (or at least the improbable).
Charlie
Allnut is a tugboat captain, an independent guy whose love of freedom
has taken him to Africa, a place most Americans will never see. The
political climate there is dangerous, so he has to be both smart and
courageous to pursue that freedom. But he's also a down
to-earth-guy, and when he meets Rose Sayer, he feels that they belong
to different classes.
And
he's right. She is the sister of a missionary, and her goal is to
help people find God. It's a goal that blows up right in her face,
leaving her with ashes, but Charlie rescues her in more ways than
one. Rose feels she has lost everything, but as she and Charlie get
into that boat and go crashing down the river rapids into an
uncertain future, she makes an observation that is my favorite quote
from the whole movie: “I never dreamed any mere physical
experience could be so
stimulating!” She loves that trip down the rapids. She begins to
develop an interest in the boat itself – and in the man who owns
it.
Katherine
Hepburn wrote a wonderful diary about the making of the movie, The Making Of The African Queen.
They filmed in Africa, and there were some issues with the water
which Humphrey Bogart and John Huston seemed to have neatly avoided
by spiking that water with a little whisky. The African
Queen is an essential John
Huston movie. Like the cast and crew, the characters are tested by
hardships. How they rise to those challenges defines their
character.
The
most charming moment in the film happens the morning after Charlie
and Rose have obviously been intimate with each other (a moment
handled with great sensitivity and discretion), and she says to him,
“Dear – what is your first name?” This romance
binds them together, but isn't the strongest thing doing so. That
would be their mission, which is to blow up a German warship that has
moored in the lake at the end of the tributary in which they are
struggling. They may be going through Hell, but it's not High Water
they're battling, it's low water,
which threatens to strand the boat. But they refuse to give up, even
when things look hopeless.
With
equal parts humor and tragedy, their struggle is engrossing. The
resolution of their story is both gratifying and believable. No
superheroes save the day, no wizards throw magic bolts of lightning
at each other. Instead, two people refuse to give up – and they
triumph. That's why The African Queen
makes the top ten, with no reservations whatsoever.
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